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  • Home >> Wes Montgomery >> Smokin' at the Half Note [Live]


    Wes Montgomery
    with Wynton Kelly Trio

    Smokin' at the Half Note [Live]

    Wes Montgomery, Guitar
    Wynton Kelly, Piano
    Paul Chambers, Bass
    Jimmy Cobb, Drums

    Produced by Creed Taylor

    Recorded Live at the Half Note
    Rudy Van Gelder, Engineer
    Recorded June, September 22, 1965

    Catalog Number: 829578-2
    Format: CD
    Release Date: 1998
    Label: Verve




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    Click on tracks to hear sound samples.

    1. No Blues (12:57)
    2. If You Could See Me Now (8:21)
    3. Unit 7 (6:45)
    4. Four on Six (6:44)
    5. What's New? (6:11)

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  • Wes Montgomery brought the art of the electric guitar to new heights in the 1950s and 1960s before his untimely death at 43. His vaulting style employed octaves much as his main influence, Charlie Christian, did in the Benny Goodman Sextet. Montgomery's crowd-pleasing facility with the fret board was best employed in live performance when he could stretch out and really be heard. Smokin' is a thoroughly satisfying live album recorded in 1965 and 1966 at the New York nightclub, with co-leader Wynton Kelly and his trio – Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Montgomery and Kelly are in perfect sync here, especially on “No Blues” and “If You Could See Me Now.”
    – John Swenson

    Who Was Wynton Kelly?
    A fundamentally unobstrusive pianist who liked above all to swing, Wynton Kelly nevertheless became many people's ideal pianist during hte 60s. A solid mainstream player grounded in the blues, he could make anything he played bounce. New Orleans pianist Ellis Marsalis learned so much from him he named his second son after him. Kelly replaced Bill Evans with Miles Davis in 1959, which gave his international reputation a boost. An exceptional accompanist, he made a number of fine trio albums in the 50s and 60s, and died prematurely at age 39 in 1971.

    Kelly played on the very famous Kind of Blue album, along with Bill Evans, who had agreed to play on it as well. Miles wanted it to have a modal sound to it as well as gospel flavorings, and Kelly was up to both.
    Kelly stayed with Miles until 1963, when he was replaced by Herbie Hancock. After four years with Miles he needed to get out on his own, to play something besides Miles's tunes. He left Davis's group along with bassist Paul Chambers and drummer Jimmy Cobb to form his own trio. It became one of the classic rhythm sections of the 60s, hired by such players as Art Pepper, Cecil Payne and Clark Terry.
    Kelly died in Toronto April 12, 1971.
    – Joel Simpson

    Wes Montgomery

    Photos by Chuck Stewart

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