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  • Home >> Freddie Hubbard >> First Light


    Freddie Hubbard

    First Light

    Freddie Hubbard, Trumpet, Flugelhorn
    Jack DeJohnette, Drums
    Ron Carter, Bass
    Richard Wyands, Piano
    George Benson, Guitar
    Airto Moreira, Percussion
    Phil Kraus, Vibes
    Wally Kane, Flute, Bassoon
    Hubert Laws, Flute
    George Marge, Flute, Clarinet
    Romeo Penque, Flute, English horn/oboe, Clarinet
    Jane Taylor, Bassoon
    Ray Alonge, French Horn
    James Buffington, French Horn
    Margaret Ross, Harp
    David Nadien, Violin
    Paul Gershman, Violin
    Emanuel Green, Violin
    Harold Kohon, Violin
    Joe Malin, Violin
    Gene Orloff, Violin
    Matthew Raimondi, Violin
    Tosha Samaroff, Violin
    Irving Spice, Violin

    Awarded GRAMMY BEST JAZZ PERFORMANCE BY A GROUP "FIRST LIGHT" 1972

    Arranged and Conducted by
    Don Sebesky

    Produced by Creed Taylor

    Recorded at Van Gelder Studios
    Englewood Cliffs, New Jersey
    Rudy Van Gelder, Engineer
    Recorded September 14-16, 1971

    Catalog Number: ZK 40687
    Format: CD
    Release Date: 1987
    Label: CTI




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    Click on tracks to hear sound samples.

    1. First Light (11:05)
    2. Uncle Albert/Admiral Halsey (8:17)
    3. Moment to Moment (5:43)
    4. Yesterday's Dreams (3:55)
    5. Lonely Town (from “On the Town”) (7:00)
    6. Fantasy in D (6:55)

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  • This is my favorite Freddie Hubbard album. I have also heard that Freddie considers this his favorite album that he recorded. He sounds superb and the orchestrations and choice of material is fantastic. "Lonely Town" is really great. Nice arranging by Don Sebesky. Keith Jarret plays some memorable Fender Rhodes piano solos.
    – tpt1


    First Light – Still Great 30 Years Later
    Recorded in September 1971, this still sounds well-engineered. The music was arranged by Don Sebesky, and he, Hubbard and the best New York session people create a special kind of emotional tone. "Moment to Moment" and "Lonely Town" are my favorites – sad at times but never maudlin. Lovely brass, woodwinds and cello are especially good. But it is the care and feeling of the players that makes this album endure.
    – Bill Sladen


    Blankets of Groove, Soul, and Clouds – Jazz Masters at Their Best
    I started getting into jazz a few years ago, and I went up to this guy I knew,... a trumpet player who won all sorts of awards but you'd never know by talking to him. I told him "I want to learn jazz." Well, he being a veteran musician, knew better than I how vast the jazz world is, so he had me narrow it down to the type of sound I like. "Well, I like funk, I like Latin stuff, lots of layers, but nothing crazy like rapid-fire chord changes and nonsensical melodies. But a bit off the mark just the same." So he made me a small list to start with, consisting of Freddie Hubbard's Sky Dive, Red Clay, and to top it, First Light.

    The first tune, "First Light," is a Latin-based groove that's pretty much a one-chord deal for the entire 11 minutes. But leave it up to Hubbard to keep it exciting just the same. God, his trumpet soars, so clean and bright. And when Benson takes his turn, he absolutely smokes. And the vibes glaze it over with dreaminess while the strings lull into the air. The flute also has a lovely habit of gliding in and out at the perfect moments.

    The second number, an instrumental take on the Beatles' "Uncle Albert/Admiral Halsey" starts off on the slow classical side, and then hits on to high gear and climbs to a hard-hitting funk that's gotta make you stomp. Benson smokes yet again on this track, along with a cutting flute solo to wrap things up, courtesy of Hubert Laws in his prime (well, like everyone else).

    There are four more tunes on the CD... my favorite after the first two is the last one, entitled "Fantasy in D." It whisks me away every time. I hate to answer the "Great Music to Play While" option because there's such a variety of moods here...

    If you want Freddie Hubbard at the pinnacle of his career, on the album that he said himself was his favorite, and/or if you want a fusion milestone that will keep coming back to your player, get this CD.

    Oh, did I mention that all the tunes are recorded in one take in full? Yep. If someone solos after Freddie and messes up, the group has to do the entire song over, which means the bandleader won't be too happy. Not that these guys would make a mistake anyway. Naw, when recording time comes around, the gurus just express that magic that's pulsed through them for years. They make it look so easy.
    – AdamJazz

    Freddie Hubbard


    Creed & Freddie


    Don Sebesky

    Photos by Chuck Stewart

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