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  • Home >> Stan Getz & Charlie Byrd >> Jazz Samba


    Stan Getz / Charlie Byrd


    A note from Creed Taylor...

    On the morning of Feb 13, 1962, Stan and I boarded the shuttle from LaGuardia, NY to Washington, DC. Upon arriving, we headed for The All Souls Unitarian Church, where we quickly set up to record on a 7&1/2 ips portable Ampex Tape Recorder. A couple of days before, Byrd had played these new Brazilian songs on the phone for Stan and myself. Stan had never seen, nor rehearsed, this material. Stan did roughly one run-through for each of the songs (Byrd's group was rehearsed). At that point, Jobim and Stan had yet to meet.

    The only thing that was "slightly out-of-tune," was the title of the song "Desafinado," which was soon to become a major world HIT! Loosely translated, "desafinado" means "slightly out-of-tune."

    Jazz Samba

    Stan Getz, Tenor Sax
    Charlie Byrd, Guitar
    Keter Betts, Bass
    Gene Byrd, Bass, Guitar
    Buddy Deppenschmidt, Drums
    Bill Reichenbach, Drums


    Awarded GRAMMY BEST INSTRUMENTAL JAZZ PERFORMANCE "DESAFINADO" 1962

    Inducted into GRAMMY HALL OF FAME 2000

    Produced by Creed Taylor

    Recorded at Pierce Hall
    All Souls Unitarian Church
    Washington, D.C.
    Ed Green, Engineer
    Recorded February 13, 1962
    Cover painting by Olga Albizu

    Catalog Number: 810 061-2
    Format: CD
    Release Date: 1963
    Label: Verve




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    Click on tracks to hear sound samples.

    1. Desafinado (5:49)
    2. Samba Dees Days (3:33)
    3. O Pato (2:30)
    4. Samba Triste (4:44)
    5. Samba De Uma Nota So (6:11)
    6. E Luxo So (3:41)
    7. Baia (6:40)

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  • The Start of the Jazz Samba Movement
    This is probably the best – if not – the most important and significant jazz album that I had and will probably ever own, hands down. It was the first CD I ever owned and still is in my top 10 list of *all* time. Getz is one of the key contributors to introducing the American public to the nuances, soul, and sensuality of Brazilian-influenced jazz back in the early ‘60s.

    “Desafinado” is a punchy, playful tune that takes the listener upon a delightful samba dance. “Samba Triste” is sad, and soulful so much that you can hear the tenor sax lightly crying in Getz’s hands. In all tracks, Getz and Byrd take the listener to a point of jazz-induced highs, lows and in-betweens only to gently pull you back and forth a few more times before slowly ending each dance so you feel complete. If you have never tasted the richness of South American-influenced jazz this is probably the best place to start. Dinner is served and with Getz/Byrd as your chefs be prepared to experience a sensuous and filling 5 course meal. Bottoms up!

    – Don Roberts


    Stan Getz & Charlie Byrd


    Luiz Bonfá


    Stan Getz

    Photos by Chuck Stewart

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