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  • Home >> Eumir Deodato >> Prelude


    Eumir Deodato

    Prelude

    Eumir Deodato, Piano, Electric Piano
    John Tropea, Electric Guitar
    Jay Berliner, Guitar
    Hubert Laws, Flute
    Marvin Stamm, Trumpet
    Ron Carter, Bass
    Stanley Clarke, Electric Bass
    Billy Cobham, Drums
    Airto, Percussion
    Ray Barretto, Percussion


    GRAMMY BEST POP INSTRUMENTAL 1973

    Arranged and Conducted by Eumir Deodato
    Produced by Creed Taylor

    Recorded at Van Gelder Studios
    Englewood Cliffs, New Jersey
    Rudy Van Gelder, Engineer
    Recorded July 19, 1971

    Catalog Number: K35Y 6011
    Format: CD
    Release Date: 1997
    Label: CTI/Sony




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    Click on tracks to hear sound samples.

    1. Also Sprach Zarathustra (2001) (8:59)
    2. Spirit of Summer (4:02)
    3. Carly and Carole (3:40)
    4. Baubles, Bangles and Beads (5:16)
    5. Prelude to Afternoon of a Faun (5:12)
    6. September 13 (5:21)

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  • Producer's Note
    The defining moment in Stanley Kubrick's film 2001 was Keir Dullea's trying to capture the pea that had fallen from his plate. I found the scene arresting, particularly the notion of a familiar event, or process, becoming unfamiliar, in this case because of the absence of gravity. With this scene and the music from the movie, "Also Sprach Zarathustra," running through my mind, I decided to see what could be done to make this familiar music unfamiliar. I broached the idea with Deodato, and the result was his Latin-influenced version of the classical masterpiece.
    – Creed Taylor

    An Odyssey
    In 1972, jazz music hit another milestone with the release of this classical/fusion/bossa/Brazilian best-seller. Even the names associated with this leaves one in awe. Strauss ("Also Sprach Zarathustra"), and Debussy ("Prelude to Afternoon...") compositions were chosen for the jazzy interpolations. The stellar production of Creed Taylor and the engineering of the best soundmeister anywhere, Rudy Van Gelder, were employed. Stanley Clark, Hubert Laws, Billy Cobham and Tropea must've had a blast up there in Englewood Cliffs being arranged by the great Eumir Deodato... it truly shows. This still grooves after all these years. Columbia/CTI ought to release Deodato II. To the shopper, if you can find any of the great CTI recordings such as George Benson's White Rabbit, any CTI Hubert Laws or Stanley Turrentine, Grover Washington's Feel So Good or any of the CTI “Fire Into Music” volumes then waste no time getting it!! You'll be well-pleased.
    – yeargs, Crossroads

    Deodato Shines
    I actually like just about all of Deodato's 70s releases. I felt he was at his musical best during those times. I particularly like this album not only because it was in fact his most popular, but for the songs alone. My favorite track on this album is “Spirit of Summer.” Deodato also has great lineups on his albums. This album includes such major jazz names as Stanley Clarke (bass), Billy Cobham (drums), Ron Carter (bass) and Airto Moreira (percussion). The album also contains a full orchestra as well. Check out Hubert Laws' flute solo on “Prelude to the Afternoon of a Faun.” Released in 1972, this was his final album to appear on the CTI label.
    – Roric Toomey

    Did He Ever Make a Sub-Par Album?
    Well, this one certainly is above par. I'm 22 years old and am now really starting to get into jazz from the seventies, coming out of study in bebop and postbop and am enjoying the journey. For some reason this album got me thinking about how much simpler life was way before my teenage years. I also played “Also Sprach Zarathustra” back in high school, so this takes me back.
    - jazzafinado

    Review
    The early '70s were a time of musical transition and experimentation. Brazilian pianist and arranger Eumir Deodato mixed classical music with funk and jazz on his cover of Richard Strauss' "Also Sprach Zarathustra" (better known as the theme from 2001: A Space Odyssey). To purists, the combination seemed pretentious. However, that didn't keep the track from running up the charts. In 1973, Deodato's version won the Grammy award for Best Pop Instrumental, and his career was on its way.
    Prelude marked Deodato's debut as a bandleader, and was the first of the three albums that he recorded for Creed Taylor's CTI label. There were always two things you could count on with a CTI release. The musicianship would be superb and the then there was the ever-present groove. No one did it better...
    If you want to hear what made CTI such a great label, this is a great place to start. If you want to hear a more diverse selection of what the label has to offer, check out the new CTI sampler, Birth of the Groove.
    – Steve Marshall

    Deodato and Creed


    Creed and Deodato


    DEODATO

    Photos by Chuck Stewart

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